The autumn snow juxtaposed against the tans and browns of the pre winter landscape make the snowflakes pop off this photo of Mule Deer in in the Wind River Mountains
Have you ever planned a photography trip then looked at the weather then canceled the trip? Well none of us enjoy shooting in foul weather, but you may want to reconsider.
I don’t know how many times I have hit my front door at four AM to find miserable slush or pounding rain on my front step and had the overwhelming urge to go back to bed, but over the years I have found that some of my best photos were born in inclement weather situations. I have made a vow to myself to never go back to bed despite the overwhelming urge.
A stormy day in Grand Teton National Park
Around Yellowstone, we get a plethora of foul weather and I love to photograph while the sky is leaking or threatening to. Inclement weather often times is a photographer’s gift from above. Summer’s thunderstorms grace our skies with dynamic texture that removes the monotony of a clear blue sky. When lucky enough to have morning or evening thunderstorms, the clouds act as a projection screen for gathering the warm light of the magic hour to enhance the landscape below. Winter offers a beauty that is at once spare, but stunning, when the thermometer reaches twenty below the atmospheric reaction to the cold is well worth recording. The air gets so crisp, the frost is so shiny; the ice fog creates a mysterious landscape on the valley floors. A landscape covered with a fresh blanket of snow is always a treat.
Those of us that brave the elements are rewarded with dramatic skies that enhance our subjects, snowflakes that add punch to our wildlife photos and overcast skies that remove harsh shadows improving the saturation of our photos. I love how the big fat snowflakes of fall and early winter photograph juxtapose against the browns and tans of the lifeless foliage of the autumn landscape. I am drawn to the drama of thunderstorms dumping huge amounts of rain on the distant landscape. Photographs of heavy snow dumping on wildlife evokes empathy and awe from the viewer and engages them more in the photo.
Patience is important in inclement weather, as sometimes we need to let a rain or snow squall pass, or for passing clouds to rearrange into dramatic formations or for a hole to appear in the clouds to spotlight the landscape they all too often obscure.
Autumn Thunderstorm, Grand Tetons, Fall Colors, Bridger Teton National Forest, Jackson Hole Wyoming
Today’s digital cameras allow us to get excellent results that we could achieve back in the days of old – the film days. With film I rarely shot above ISO 100, as whenever I ventured to ISO 200 I hated the results. This aversion to high ISO’s ruined many photo opportunities in my early days of digital shooting, as I was afraid to venture there beyond ISO 200. Today, I am comfortable with ISO’s of 1,250 when needed which opens up photo opportunities that weren’t available during our previous century when I first learned to shoot. Each generation of DSLR’s expands the upper ISO quality.
Being prepared for bad weather is an important part of the process, but patience is the key to success. It is helpful to have either rain or snow gear depending on the season, and I have found umbrellas helpful in both the rain and snow for keeping the weather off my camera. There are a variety of camera jackets for protecting your camera as well. Lens hoods reduce the precipitation that reaches your lens, but I keep a soft cloth in my pocket for the weather that lands on my lens.
I know many photographers who won’t shoot on a bluebird day. Foul weather presents a perfect recipe for dramatic photography, bluebird days are beautiful for recreating but they rarely provide dramatic photographs. Often, the charm of inclement weather eludes us because of our aversion to discomfort, howling winds, pelting freezing rain, hail, finger-numbing temperatures certainly are a discouragement to many but that just weeds out those who are willing to ignore the extraordinary.