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A dozen of my favorite photos of 2014, the Amalfi Coast, the Dolomite Mountains, Glacier National Park, Grand Teton National Park, Grizzly Bears, wildlife and more
Whenever I surprise a mule deer doe or fawn, and alarmingly their heads pop out of the forage like a jack-in-the-box, appearing as though they just got out of the beauty parlor, their oversized, ever alert, ears reaching for the sky, their eyes wide and big as saucers they always demonstrate why “doe-eyed” has become a cliché for beautiful, innocent eyes.
Grand Teton Park’s Grizzly 610 and cubs forage, frolic, and fight to the delight of this photographer. Jackson Hole and Grand Teton National Park have become a great place for watching grizzly bears.
It is inarguable that the first sight of the Grand Tetons from any of its approaches it truly breathe taking. Entering Jackson Hole from Yellowstone you are treated to the northern Tetons where they tower above beautiful Jackson Lake.
Most photographers create random acts of beauty; enlightened nature photographers deliver consistent encapsulations of light and time. Galen Rowell once said: “The landscape is like being there with a powerful personality and I’m searching for just the right angles to make that portrait come across as meaningfully as possible.” Galen did so because of his mastery of light.
When we choose to shoot in auto exposure modes instead of manual mode we forfeit our judgement, when we forfeit our judgement we are outsourcing our thinking to a computer. Auto exposure settings on camera computers are great but they calculate input to achieve an average. Calculated algorithms are great for good results in average light but algorithms fail in extraordinary light.